Field Fabulist of the Femme Fatale.
She attends the PhD in Creative Writing program at Ohio University.
Based between Japan and the US, her writing investigates the absurdities of the lives of modern Japanese women.
She is currently at work on stories set in the aftermath of the great East Japan tsunami, some fantastical, all strange, about healing at the intersection of individual and collective trauma.
“Mating App” a story about a desperate lawyer who misuses a dog breeding app to date humans is forthcoming in the Bennington Review.
Her stories of betrayal, desire, and loneliness ask to what extremes would one go in pursuit of a dream? What does it mean to belong to more than one culture? How can one perform as oneself in work and in a family? What is AI’s influence on loneliness? What is power, and who gets to wield it? And, finally, what are the long lasting effects of a national disaster?
She holds an MFA in fiction from the Bennington Writing Seminars and a BA in economics from Sophia University in Tokyo.
She is an editor for Cult*, an art and counterculture magazine. In Tokyo, she runs the writer’s collective Etocetora.
Her writing has appeared in Sony ECHOS, Bloomberg News, Taipei Times, and others.
She has worked in education, investment banking, journalism, and tech.
She attends the PhD in Creative Writing program at Ohio University.
Based between Japan and the US, her writing investigates the absurdities of the lives of modern Japanese women.
She is currently at work on stories set in the aftermath of the great East Japan tsunami, some fantastical, all strange, about healing at the intersection of individual and collective trauma.
“Mating App” a story about a desperate lawyer who misuses a dog breeding app to date humans is forthcoming in the Bennington Review.
Her stories of betrayal, desire, and loneliness ask to what extremes would one go in pursuit of a dream? What does it mean to belong to more than one culture? How can one perform as oneself in work and in a family? What is AI’s influence on loneliness? What is power, and who gets to wield it? And, finally, what are the long lasting effects of a national disaster?
She holds an MFA in fiction from the Bennington Writing Seminars and a BA in economics from Sophia University in Tokyo.
She is an editor for Cult*, an art and counterculture magazine. In Tokyo, she runs the writer’s collective Etocetora.
Her writing has appeared in Sony ECHOS, Bloomberg News, Taipei Times, and others.
She has worked in education, investment banking, journalism, and tech.
マブリーアミーナ絵理佳
上智大学国試教養部卒業。米ベニントン・ライティング・セミナー MFA クリエイティブ・ライティング専攻修了。現在はオハイオ大学英文学博士課程に在籍。
外資系投資銀行ゴールドマン・サックスにて、デリバティブアドバイザリーとして従事した後、シニア・エディトリアル・ストラテジストとして編集戦略に10年以上携わる。金融・経済の専門知識を活かし、企業向けメディア戦略やプロダクト開発、編集ディレクションを担当。グローバルな視点と複雑な情報をわかりやすく伝える編集力を活かし、社内外のコンテンツ設計やコミュニケーション設計に従事。
アートとカウンターカルチャーをテーマとする雑誌『Cult』の創設メンバー兼編集者。クリエイティブ・コレクティブ 「Etocetora」 を運営。また、バリ島のUbud Readers and Writers Festivalではフィクション・ワークショップのファシリテーターを務める。
外資系投資銀行ゴールドマン・サックスにて、デリバティブアドバイザリーとして従事した後、シニア・エディトリアル・ストラテジストとして編集戦略に10年以上携わる。金融・経済の専門知識を活かし、企業向けメディア戦略やプロダクト開発、編集ディレクションを担当。グローバルな視点と複雑な情報をわかりやすく伝える編集力を活かし、社内外のコンテンツ設計やコミュニケーション設計に従事。
アートとカウンターカルチャーをテーマとする雑誌『Cult』の創設メンバー兼編集者。クリエイティブ・コレクティブ 「Etocetora」 を運営。また、バリ島のUbud Readers and Writers Festivalではフィクション・ワークショップのファシリテーターを務める。
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Portraits by Cecy Young
Portraits by Cecy Young